Quote from: Hugh Smith
(Instead of having each cymbal on its own line, I programmed sound ID changes into the sound set so we could have a cleaner layout in the mapping - this also contributes to better consistency with the individual instruments.)
My bad, I was only partially right on this. The various sustained/crescendo rolls use sound ID changes, but not the All cymbal sizes, those are set to CC1 values in the Dictionary.
Jeff, it is possible to make a version that has what you want, but I don't think I would call it "elegant" - well, the result maybe, but not the process of getting there. You would need to go into the mapping and triplicate each entry (total of three for each sound) and place the duplicates on their own line/space. Then, you would need to go into the sound set and basically do the same thing, add the necessary CC1 values to each one, make sure each sound ID was unique, rename the Program Names so you can spot them in Edit Instruments, and reassign the IDs for each of the duplicates that were made (you could get away with not changing the Input Using Pitch, just make sure the same one matches whatever the original had). Once that's all done,
then begin the testing part to make sure it all worked, especially the switching for the rolls.
Option 2: I suppose you could skip the sound set editing part and still have the notes on three lines. You'd still need to use the Staff Text in the score for playback, but you could then hide all of them for the reader.
Does that make sense?
Hugh